11 Worst Taylor Swift Songs: A Surprising List

Hey there, music enthusiasts and fellow DJs! It’s TBone here from Level Tunes, your go-to guide in the ever-exciting world of music. Today, I’ve decided to stir the pot a bit with a topic that’s sure to get some conversations started: “The 11 Worst Taylor Swift Songs.” Now, before you raise your eyebrows, let me explain.

As a die-hard music fan and a DJ, I’ve always admired Taylor Swift’s incredible talent and her knack for storytelling through music. But, let’s be real – not every track can be a chart-topper, right?

So, I thought it’d be interesting to dive into her discography and discuss the few songs that, in my opinion, didn’t quite hit the mark.

This isn’t about bashing – it’s about exploring the diverse spectrum of her music and acknowledging that even the greatest artists have their off days. Let’s get into it and see if you agree with my picks!

Here are the worst Taylor Swift songs that you can check out:

List Of Worst Taylor Swift Songs

Worst Taylor Swift songs in a list format:

1. “Bad Blood” (from “1989”, 2014, Big Machine Records)

“Bad Blood” is a song that, while catchy, feels a tad overproduced compared to the rest of the “1989” album. Released in 2014 under Big Machine Records, it represents Swift’s venture into more pop-centric sounds. Despite featuring Kendrick Lamar in the remix, the song’s repetitive chorus and somewhat petty lyrical content about feuds feel less mature than her other work. The high-energy production and celebrity-studded music video couldn’t fully mask the song’s lack of depth.

2. “ME!” (from “Lover”, 2019, Republic Records)

“ME!”, from her 2019 album “Lover” and released under Republic Records, is an upbeat anthem featuring Brendon Urie of Panic! At The Disco. Despite its energetic vibe and positive message, the song’s simplicity and repetitive lyrics (“Spelling is fun!”) make it fall short compared to Swift’s more lyrically complex tracks. The song feels like a step back in her songwriting evolution, appealing more to a younger audience but lacking the emotional depth Taylor is known for.

3. “Look What You Made Me Do” (from “Reputation”, 2017, Big Machine Records)

2017’s “Look What You Made Me Do,” from her album “Reputation” and released under Big Machine Records, marked a stark departure from Swift’s usual style. This dark, revenge-themed track, while an interesting experiment, seems to lack the genuine emotional resonance of her earlier work. The song’s attempt at addressing her public feuds and media image doesn’t quite hit the mark, feeling more like a theatrical performance than a heartfelt narrative.

4. “Welcome To New York” (from “1989”, 2014, Big Machine Records)

“Welcome To New York,” the opening track of the “1989” album, released in 2014 under Big Machine Records, tries to capture the magic and allure of New York City. However, the song’s somewhat generic portrayal of the city and its rather simplistic lyrics don’t do justice to the complex emotions and stories associated with NYC. It’s a decent pop track but lacks the lyrical depth and personal touch that Swift is celebrated for.

5. “We Are Never Ever Getting Back Together” (from “Red”, 2012, Big Machine Records)

From her 2012 album “Red,” released under Big Machine Records, “We Are Never Ever Getting Back Together” was a massive hit but arguably one of her less impressive lyrical feats. The song’s catchy, repetitive chorus and poppy sound marked a departure from her country roots. While it’s fun and relatable, it lacks the storytelling and emotional depth of her other songs on “Red,” feeling a bit too commercial.

6. “Gorgeous” (from “Reputation”, 2017, Big Machine Records)

“Gorgeous,” from the “Reputation” album (2017, Big Machine Records), is a light-hearted, flirtatious track. However, it pales in comparison to the album’s more complex and emotionally charged songs. The playful nature of “Gorgeous” feels somewhat out of place in the context of the album’s overall darker tone, and its lyrical content doesn’t showcase Swift’s songwriting prowess as effectively as other tracks.

7. “Stay Stay Stay” (from “Red”, 2012, Big Machine Records)

“Stay Stay Stay,” a track from the “Red” album, released in 2012 under Big Machine Records, is an upbeat, cheerful song. However, its overly simplistic and somewhat childish lyrics contrast sharply with the more mature, introspective tracks on the album. The song’s lighthearted approach to relationships feels out of sync with the emotional depth and complexity that “Red” is known for.

8. “The Last Time” (from “Red”, 2012, Big Machine Records)

“The Last Time,” from “Red” (2012, Big Machine Records), featuring Gary Lightbody of Snow Patrol, is a dramatic duet. While the collaboration is intriguing, the song falls a bit flat compared to the album’s other emotionally charged tracks. The repetitive chorus and less engaging melody don’t quite live up to the high standards set by the rest of the album.

9. “End Game” (from “Reputation”, 2017, Big Machine Records)

“End Game,” a track from “Reputation” (2017, Big Machine Records), featuring Ed Sheeran and Future, tries to blend pop, rap, and R&B elements. However, this ambitious mix doesn’t fully come together, making the song feel disjointed. The attempt at a grand, genre-crossing collaboration overshadows Swift’s songwriting strengths, resulting in a track that lacks a clear identity.

10. “Girl At Home” (from “Red”, 2012, Big Machine Records)

“Girl At Home” from “Red” (2012, Big Machine Records) is a bonus track that delivers a message about staying true to one’s commitments. However, its repetitive melody and less nuanced lyrics make it one of the weaker tracks on the album. It lacks the storytelling complexity and emotional resonance that characterize Swift’s best work.

11. “This Is Why We Can’t Have Nice Things” (from “Reputation”, 2017, Big Machine Records)

Lastly, “This Is Why We Can’t Have Nice Things,” from “Reputation” (2017, Big Machine Records), is a playful jab at Swift’s detractors. While the song’s jovial tone and catchy beat are enjoyable, it feels more like a satirical piece than a serious musical endeavor. The song’s focus on personal feuds and drama takes away from the deeper, more introspective themes present in much of her other music.

Fun Facts: Worst Taylor Swift Songs

“Bad Blood” (from “1989”, 2014)

• Star-Studded Music Video: The music video for “Bad Blood” featured a plethora of celebrities including Selena Gomez, Lena Dunham, and Cara Delevingne, among others. It was like a mini-movie with its action-packed sequences and high production value.
• Award Winner: The song won the Grammy for Best Music Video in 2016, showcasing its impact beyond just the music.
• Chart Topper: Despite mixed reviews, “Bad Blood” reached No. 1 on the Billboard Hot 100 chart, proving its commercial success.

“ME!” (from “Lover”, 2019)

• Breaking Records: Upon release, the music video for “ME!” broke the YouTube record for most views in 24 hours for a solo and female artist.
• Symbolic Butterfly Mural: Before the release of “ME!”, Taylor Swift commissioned a butterfly mural in Nashville, which included clues about the upcoming release, showcasing her love for Easter eggs and fan theories.
• Language Play: The song features a playful line, “Spelling is fun!”, which was later removed from the digital version of the album, making it a unique feature of the single’s initial release.

“Look What You Made Me Do” (from “Reputation”, 2017)

• Symbolism in the Music Video: The music video is filled with references to Swift’s past controversies and public image, including a scene where she stands atop a pile of her old selves.
• Swift’s Comeback: This song marked Swift’s return to music after a hiatus, and the darker tone was a significant departure from her previous work.
• Chart Success: It debuted at No. 1 on the Billboard Hot 100, making a strong statement about her return to the music scene.

“Welcome To New York” (from “1989”, 2014)

• Personal Significance: Swift wrote this song as a tribute to her move to New York City, capturing her excitement and the sense of new beginnings.
• Charitable Contribution: Swift donated all proceeds from the sale of this song to New York City Public Schools, showing her commitment to giving back to the community.
• Collaboration: The song was co-written with Ryan Tedder of OneRepublic, adding a different flavor to Swift’s usual songwriting style.

“We Are Never Ever Getting Back Together” (from “Red”, 2012)

• Cross-Genre Appeal: This song marked Swift’s definitive shift from country to mainstream pop, showcasing her versatility as an artist.
• Inspiration: Rumored to be about her relationship with actor Jake Gyllenhaal, the song’s relatable lyrics about on-again, off-again relationships resonated with many fans.
• Chart Achievement: It was Swift’s first song to top the Billboard Hot 100 chart, marking a significant milestone in her career.

And there you have it – a deep dive into some of Taylor Swift’s lesser-celebrated tracks. Whether you agree or disagree with my picks, I hope this list has given you a new perspective on her diverse discography.

Remember, every song tells a story, and even the not-so-great ones have their place in music history. Until next time, keep exploring the world of music with an open mind!

Thanks for reading.

TBone