27 Underrated Metal Songs: Metal’s Hidden Treasures

Hey there, fellow metalheads and music enthusiasts! TBone here, the proud owner of Level Tunes and a die-hard DJ who lives and breathes music.

Today, I’m super excited to share something special with you all – a list of 27 underrated metal songs that deserve way more attention.

As a DJ and a music fanatic, I’ve always been fascinated by the hidden gems in the metal genre – those tracks that somehow slip under the radar despite their mind-blowing riffs and powerful lyrics.

I’ve dug deep into my collection to bring these songs into the spotlight because I believe great music should be shared and celebrated. So, get ready to headbang to some seriously underrated metal masterpieces that are just waiting to be discovered!

Here are the underrated Metal songs that you can check out:

List Of Underrated Metal Songs

Underrated Metal songs in a list format:

1. “Voice of the Soul” by Death

From the album “The Sound of Perseverance” (1998, Nuclear Blast Records)

“Voice of the Soul” is a breathtaking instrumental track from Death’s 1998 album “The Sound of Perseverance.” Released under Nuclear Blast Records, this song showcases a different side of Death, known for pioneering the death metal genre. The absence of vocals allows the intricate guitar work by Chuck Schuldiner to take center stage, creating a hauntingly beautiful melody that speaks directly to the soul. This track stands out for its emotional depth and technical brilliance, highlighting Schuldiner’s versatility as a musician. It’s a poignant reminder of his legacy, as he passed away just a few years after this album’s release. The song’s ability to evoke strong emotions without a single word is why it’s a hidden gem in the metal world.

2. “Jetpacks Was Yes!” by Periphery

From the album “Periphery” (2010, Sumerian Records)

“Jetpacks Was Yes!” is a track from Periphery’s self-titled debut album, released in 2010 under Sumerian Records. This song is a perfect example of Periphery’s innovative approach to the progressive metal genre. The band, led by guitarist Misha Mansoor, blends complex rhythms with melodic harmonies, creating a sound that’s both aggressive and captivating. Spencer Sotelo’s dynamic vocal range adds an emotional layer to the intricate instrumentation. The song’s structure is a rollercoaster of technical prowess and melodic passages, showcasing the band’s ability to balance complexity with accessibility. It’s a standout track for its forward-thinking composition and the way it pushes the boundaries of what metal can be.

3. “Ghost of Perdition” by Opeth

From the album “Ghost Reveries” (2005, Roadrunner Records)

“Ghost of Perdition” is a masterpiece from Opeth’s 2005 album “Ghost Reveries,” released under Roadrunner Records. This song is a quintessential example of Opeth’s signature blend of progressive rock and death metal. Mikael Åkerfeldt’s growling vocals juxtaposed with his clean singing creates a haunting atmosphere that’s both eerie and mesmerizing. The song’s complex structure, featuring intricate guitar work and atmospheric keyboard sections by Per Wiberg, takes listeners on a journey through light and dark soundscapes. The lyrical content, delving into themes of loss and despair, adds to the song’s emotional weight. “Ghost of Perdition” stands out for its ability to weave a compelling narrative through its musical and lyrical composition, making it a hidden treasure in the metal genre.

4. “The Moor” by Opeth

From the album “Still Life” (1999, Peaceville Records)

“The Moor” is a stunning opener from Opeth’s 1999 album “Still Life,” released under Peaceville Records. This track is a brilliant showcase of Opeth’s unique style, blending melodic death metal with progressive elements. Mikael Åkerfeldt’s storytelling prowess is on full display, weaving a dark and compelling narrative. The song’s dynamic shifts between heavy, distorted sections and serene, acoustic passages are seamless, highlighting the band’s musical versatility. Martin Lopez’s drumming adds a rhythmic complexity that complements the guitar work. “The Moor” stands out for its epic composition and its ability to transport listeners to another world, making it a must-listen for any metal enthusiast.

5. “Bleak” by Katatonia

From the album “Last Fair Deal Gone Down” (2001, Peaceville Records)

“Bleak” is a hauntingly beautiful track from Katatonia’s 2001 album “Last Fair Deal Gone Down,” released by Peaceville Records. This song exemplifies Katatonia’s transition from their doom metal roots to a more refined, melancholic sound. Jonas Renkse’s emotive vocals perfectly capture the song’s somber mood, while Anders Nyström and Fredrik Norrman’s guitar work creates a dense, atmospheric backdrop. The lyrics, filled with despair and introspection, resonate deeply. “Bleak” is a standout track for its ability to blend heaviness with melody, creating a sound that is both powerful and deeply moving.

6. “The Drapery Falls” by Opeth

From the album “Blackwater Park” (2001, Music for Nations)

“The Drapery Falls” is a masterpiece from Opeth’s critically acclaimed album “Blackwater Park,” released in 2001 under Music for Nations. This track is a perfect representation of Opeth’s ability to fuse extreme metal with progressive rock. The song features some of Mikael Åkerfeldt’s most impressive vocal work, alternating between growls and clean singing. The guitar work, both acoustic and electric, is intricate and beautifully composed, while Martin Lopez’s drumming provides a solid foundation. The song’s progressive structure, combined with its poetic lyrics, makes it a captivating and immersive experience. “The Drapery Falls” is a testament to Opeth’s musical genius and a must-listen for fans of progressive metal.

7. “White Walls” by Between the Buried and Me

From the album “Colors” (2007, Victory Records)

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“White Walls” from Between the Buried and Me’s album “Colors” (2007, Victory Records) is a monumental closing track that encapsulates the band’s experimental and progressive metal sound. This epic song spans over 14 minutes, showcasing the band’s technical prowess and compositional skills. Tommy Giles Rogers’ versatile vocals range from guttural growls to melodic singing, perfectly complementing the complex and shifting instrumental layers. The guitar work by Paul Waggoner and Dustie Waring is nothing short of virtuosic, delivering intricate riffs and solos. The song’s structure is a journey through various musical landscapes, reflecting the band’s ability to blend metal with elements of jazz, blues, and even classical music. “White Walls” is chosen for its ambitious approach to metal and its status as a fan favorite that remains underrated in the broader metal community.

8. “Sorceress” by Wolfheart

From the album “Tyhjyys” (2017, Spinefarm Records)

“Sorceress” is a powerful track from Wolfheart’s 2017 album “Tyhjyys,” released under Spinefarm Records. This song is a perfect representation of Wolfheart’s melodic death metal style, infused with elements of doom and black metal. Tuomas Saukkonen’s deep growls set the tone for the song, while the guitar riffs create a dark and atmospheric soundscape. The drumming by Joonas Kauppinen is both precise and explosive, driving the song forward. “Sorceress” stands out for its epic and melancholic melody, combined with its heavy and aggressive rhythm section. It’s a track that showcases Wolfheart’s ability to create music that is both brutal and beautiful, making it a hidden gem in the metal genre.

9. “Astral Body” by Between the Buried and Me

From the album “The Parallax II: Future Sequence” (2012, Metal Blade Records)

“Astral Body” is a standout track from Between the Buried and Me’s album “The Parallax II: Future Sequence,” released in 2012 by Metal Blade Records. This song exemplifies the band’s progressive metal style, blending technical musicianship with conceptual storytelling. The track opens with an ethereal introduction before launching into complex rhythmic patterns and melodic guitar lines. Tommy Giles Rogers’ vocals navigate the intricate musical landscape with ease, moving from clean singing to harsh screams. The song’s composition is a testament to the band’s creativity, featuring unexpected tempo changes and a variety of musical influences. “Astral Body” is chosen for its innovative approach to metal and its role in a larger narrative that spans the entire album.

10. “Deliverance” by Opeth

From the album “Deliverance” (2002, Music for Nations)

“Deliverance” is the title track of Opeth’s 2002 album, released under Music for Nations. This song is a masterclass in progressive death metal, showcasing the band’s signature blend of heavy riffs, complex arrangements, and atmospheric passages. Mikael Åkerfeldt’s growls and clean vocals interweave seamlessly, creating a dynamic and powerful narrative. The guitar work is both brutal and intricate, with Martin Mendez’s bass lines adding depth to the composition. Martin Lopez’s drumming is exceptional, providing the perfect backbone to the song’s shifting tempos and moods. “Deliverance” stands out for its epic length and its ability to maintain intensity and interest throughout, making it a monumental piece in Opeth’s discography.

11. “March of the Fire Ants” by Mastodon

From the album “Remission” (2002, Relapse Records)

“March of the Fire Ants” from Mastodon’s debut album “Remission” (2002, Relapse Records) is a track that helped define the band’s early sound. This song combines sludgy riffs with progressive elements, showcasing Mastodon’s unique approach to metal. The guitar work by Brent Hinds and Bill Kelliher is heavy and intricate, while Troy Sanders’ vocals range from aggressive growls to melodic singing. Brann Dailor’s drumming is particularly noteworthy for its complexity and speed. “March of the Fire Ants” is chosen for its raw energy and its significance in Mastodon’s career, marking the beginning of their journey as one of the most innovative bands in modern metal.

12. “Ghost of Karelia” by Mastodon

From the album “Crack the Skye” (2009, Reprise Records)

“Ghost of Karelia” is a standout track from Mastodon’s critically acclaimed album “Crack the Skye,” released in 2009 under Reprise Records. This song exemplifies the band’s progressive metal style, featuring complex rhythms, atmospheric melodies, and thought-provoking lyrics. The vocal harmonies, shared between Brent Hinds, Troy Sanders, and Brann Dailor, add a unique dimension to the track. The guitar work is both heavy and melodic, creating a rich sonic landscape. “Ghost of Karelia” is notable for its cohesive structure and its ability to blend heavy metal with psychedelic and progressive elements, making it a key track in understanding Mastodon’s evolution as a band.

13. “The Last Baron” by Mastodon

From the album “Crack the Skye” (2009, Reprise Records)

“The Last Baron” is the epic closing track of Mastodon’s “Crack the Skye,” released in 2009 by Reprise Records. This song is a journey in itself, spanning over 13 minutes and showcasing Mastodon’s exceptional ability to fuse progressive rock with heavy metal. The track features a range of dynamics, from soft, melodic passages to powerful, riff-driven sections. Brent Hinds’ lead guitar work is particularly noteworthy, delivering both soulful solos and heavy riffs. The drumming by Brann Dailor is intricate and drives the song’s progressive nature. “The Last Baron” is chosen for its ambitious composition and its role in cementing Mastodon’s reputation as one of the most innovative bands in metal.

14. “Windowpane” by Opeth

From the album “Damnation” (2003, Music for Nations)

“Windowpane,” from Opeth’s “Damnation” album (2003, Music for Nations), marks a departure from their heavy death metal sound to a more mellow, progressive rock style. This track is a showcase of Mikael Åkerfeldt’s clean vocal abilities and his talent for writing deeply emotional lyrics. The guitar work is melodic and haunting, with a focus on clean tones and subtle dynamics. The song’s simplicity in arrangement allows the emotional depth of the lyrics and the beauty of the melody to shine through. “Windowpane” is chosen for its stark contrast to Opeth’s heavier work and its ability to demonstrate the band’s versatility and musical depth.

15. “Colony of Birchmen” by Mastodon

From the album “Blood Mountain” (2006, Reprise Records)

“Colony of Birchmen” is a standout track from Mastodon’s “Blood Mountain,” released in 2006 under Reprise Records. This song encapsulates the band’s blend of sludge, progressive, and alternative metal. The track features catchy riffs, powerful drumming, and memorable vocal melodies. The guest vocals by Josh Homme of Queens of the Stone Age add an extra layer of depth to the song. The guitar work by Brent Hinds and Bill Kelliher is both heavy and intricate, creating a dense and engaging soundscape. “Colony of Birchmen” is chosen for its strong hooks and its representation of Mastodon’s ability to create accessible yet complex and heavy music.

16. “Forsaker” by Katatonia

From the album “Night is the New Day” (2009, Peaceville Records)

“Forsaker” opens Katatonia’s 2009 album “Night is the New Day,” released by Peaceville Records. This track is a perfect embodiment of Katatonia’s evolution into a more atmospheric and melancholic sound. Jonas Renkse’s haunting vocals deliver deeply introspective lyrics, while the guitar work by Anders Nyström and Fredrik Norrman creates a dense, dark soundscape. The song’s slow, heavy rhythm, courtesy of Daniel Liljekvist’s drumming, adds to its brooding atmosphere. “Forsaker” is chosen for its emotive power and its ability to blend doom and gothic elements into a unique form of metal that is both captivating and deeply moving.

17. “Ghost of a Chance” by Rush

From the album “Roll the Bones” (1991, Atlantic Records)

While Rush is primarily known for their progressive rock sound, “Ghost of a Chance” from their 1991 album “Roll the Bones” (Atlantic Records) showcases their ability to incorporate elements of metal into their music. This song features Alex Lifeson’s powerful guitar riffs and Geddy Lee’s distinctive vocals, which deliver introspective lyrics about love and fate. Neil Peart’s drumming is, as always, technically superb and creatively complex. “Ghost of a Chance” stands out for its melodic approach to metal, combining Rush’s signature progressive style with a harder, edgier sound, making it a unique and underrated track in their discography.

18. “Heir Apparent” by Opeth

From the album “Watershed” (2008, Roadrunner Records)

“Heir Apparent” is a track from Opeth’s 2008 album “Watershed,” released under Roadrunner Records. This song is a return to the heavier, more aggressive style of Opeth’s earlier work. Mikael Åkerfeldt’s growling vocals are powerful and commanding, while the guitar work is complex and layered. Martin Axenrot’s drumming brings a new dimension to the band’s sound, with intricate patterns and explosive power. “Heir Apparent” is chosen for its intense and dark atmosphere, showcasing Opeth’s mastery of blending death metal with progressive elements, and its ability to captivate listeners with its dynamic shifts and compelling composition.

19. “Sleeping Giant” by Mastodon

From the album “Blood Mountain” (2006, Reprise Records)

“Sleeping Giant” from Mastodon’s “Blood Mountain” (2006, Reprise Records) is a testament to the band’s ability to blend sludge metal with progressive elements. The track starts with an eerie, atmospheric intro before launching into heavy, riff-driven sections. Brent Hinds and Bill Kelliher’s guitar work is both powerful and intricate, creating a sense of epic grandeur. Brann Dailor’s drumming is complex and dynamic, driving the song forward. Troy Sanders’ vocals range from haunting melodies to aggressive roars. “Sleeping Giant” is chosen for its masterful balance of heaviness and melody, and its role in showcasing Mastodon’s unique sound in the metal landscape.

20. “Serenity Painted Death” by Opeth

From the album “Still Life” (1999, Peaceville Records)

“Serenity Painted Death” is a track from Opeth’s “Still Life” (1999, Peaceville Records), showcasing their signature blend of progressive rock and death metal. This song features Mikael Åkerfeldt’s intense growls and haunting clean vocals, set against a backdrop of complex guitar work and atmospheric keyboards. The song’s narrative is dark and compelling, with lyrics that paint a vivid picture of tragedy and despair. The dynamic shifts in tempo and mood are a hallmark of Opeth’s style, making “Serenity Painted Death” a standout track for its emotional depth and musical complexity.

21. “Blackwater Park” by Opeth

From the album “Blackwater Park” (2001, Music for Nations)

The title track of Opeth’s “Blackwater Park” (2001, Music for Nations) is a masterpiece of progressive death metal. This song encapsulates the essence of the album, with its blend of heavy riffs, acoustic passages, and Mikael Åkerfeldt’s versatile vocals. The guitar work is both brutal and beautiful, creating a rich, layered sound. The song’s structure is complex, with numerous shifts in tempo and mood, showcasing Opeth’s exceptional songwriting skills. “Blackwater Park” is chosen for its epic scope and its ability to seamlessly integrate various elements of metal into a cohesive and captivating whole.

22. “The Leper Affinity” by Opeth

From the album “Blackwater Park” (2001, Music for Nations)

“The Leper Affinity,” from Opeth’s acclaimed album “Blackwater Park” (2001, Music for Nations), opens with a powerful and dark tone, setting the stage for an album that’s revered in the metal community. This track is a showcase of Opeth’s ability to blend brutal death metal elements with progressive and melodic segments. Mikael Åkerfeldt’s growling and clean vocals interplay masterfully, while the guitar work is both intricate and heavy. The song’s dynamic shifts and complex arrangements are a testament to Opeth’s musical prowess. “The Leper Affinity” is chosen for its compelling fusion of aggression and melody, making it a quintessential Opeth track.

23. “Iron Tusk” by Mastodon

From the album “Leviathan” (2004, Relapse Records)

“Iron Tusk,” featured on Mastodon’s “Leviathan” (2004, Relapse Records), is a relentless track that captures the essence of the band’s early sound. This song is a whirlwind of heavy riffs, thunderous drumming, and aggressive vocals. The guitar work by Brent Hinds and Bill Kelliher is both raw and intricate, perfectly complementing Brann Dailor’s complex drum patterns. “Iron Tusk” stands out for its high energy and its role in establishing Mastodon as a formidable force in the metal scene. The song’s intensity and drive make it a favorite among fans of heavier music.

24. “Harvest” by Opeth

From the album “Blackwater Park” (2001, Music for Nations)

“Harvest” is a departure from the usual heavy sound of Opeth, featured on their “Blackwater Park” album (2001, Music for Nations). This acoustic track showcases Mikael Åkerfeldt’s clean vocals and a more melodic, serene side of the band. The guitar work is gentle yet intricate, creating a soothing and introspective atmosphere. “Harvest” stands out for its stark contrast to the rest of the album, highlighting Opeth’s versatility and Åkerfeldt’s songwriting prowess. The song’s beauty and simplicity make it a unique and memorable piece in the metal genre, appealing to a broad range of listeners.

25. “Blood and Thunder” by Mastodon

From the album “Leviathan” (2004, Relapse Records)

“Blood and Thunder” from Mastodon’s “Leviathan” (2004, Relapse Records) is a high-octane track that has become one of the band’s most iconic songs. This track encapsulates Mastodon’s signature blend of sludge and progressive metal, with a driving riff that’s both catchy and complex. The song features powerful vocals, primarily from bassist Troy Sanders, with its lyrics inspired by Herman Melville’s “Moby Dick.” Brent Hinds and Bill Kelliher deliver a barrage of heavy guitar work, while Brann Dailor’s drumming is both intricate and forceful. “Blood and Thunder” is chosen for its raw energy and its role in defining Mastodon’s sound, making it a staple in the modern metal scene.

26. “Dirge for November” by Opeth

From the album “Blackwater Park” (2001, Music for Nations)

“Dirge for November,” off Opeth’s “Blackwater Park” (2001, Music for Nations), is a hauntingly beautiful track that showcases the band’s softer, more melancholic side. The song begins with an acoustic, almost folk-like introduction before transitioning into heavier, more somber sections. Mikael Åkerfeldt’s clean vocals are emotive and poignant, perfectly capturing the song’s introspective mood. The guitar work is intricate, blending seamlessly between acoustic and electric tones. “Dirge for November” is chosen for its emotional depth and its demonstration of Opeth’s ability to masterfully balance heavy and soft elements within a single track.

27. “Oblivion” by Mastodon

From the album “Crack the Skye” (2009, Reprise Records)

“Oblivion” is the opening track of Mastodon’s “Crack the Skye” (2009, Reprise Records), and it immediately sets the tone for the album’s expansive and progressive sound. The song features a mix of heavy riffs and melodic passages, with a memorable chorus that showcases the band’s vocal harmonies. The guitar work by Brent Hinds and Bill Kelliher is both complex and catchy, while Brann Dailor’s drumming is dynamic and inventive. “Oblivion” is chosen for its blend of accessibility and complexity, making it a perfect introduction to Mastodon’s more progressive and conceptual work.

Fun Facts: Underrated Metal Songs

“Voice of the Soul” by Death

• Instrumental Tribute: Despite being a death metal band known for their intense vocals, “Voice of the Soul” is a purely instrumental track. It showcases Chuck Schuldiner’s versatility and depth as a musician, highlighting his ability to convey powerful emotions without words.
• Posthumous Recognition: Sadly, Chuck Schuldiner passed away in 2001, making “The Sound of Perseverance” one of his final works. “Voice of the Soul” has since gained recognition as a poignant part of his musical legacy.

“Jetpacks Was Yes!” by Periphery

• Re-recorded Version: Periphery re-recorded “Jetpacks Was Yes!” for their “Icarus EP” released in 2011. This version features refined production and slight alterations, showcasing the band’s growth and commitment to their craft.
• Music Video: The song has a music video that captures the band’s energetic performance style, further popularizing the track among fans and showcasing Periphery’s engaging stage presence.

“Ghost of Perdition” by Opeth

• Live Favorite: “Ghost of Perdition” is a staple in Opeth’s live performances. Its dynamic range from soft melodic sections to heavy, aggressive parts makes it a fan favorite and a showcase of the band’s versatility on stage.
• Complex Songwriting: The song is known for its complex structure, blending progressive rock and death metal seamlessly. It’s a testament to Mikael Åkerfeldt’s songwriting skills and his ability to craft intricate, multi-layered compositions.

“The Moor” by Opeth

• Narrative Depth: “The Moor” is part of the concept album “Still Life,” which tells a story of love, death, and religion. The song sets the stage for this narrative, introducing themes and motifs that recur throughout the album.
• Musical Evolution: This track marked a significant evolution in Opeth’s sound, introducing more progressive elements and cleaner vocals, which would become more prominent in their later work.

“Bleak” by Katatonia

• Guest Appearance: “Bleak” features a guest appearance by Mikael Åkerfeldt of Opeth, who provides additional vocals. This collaboration highlights the close relationship between the two bands and their mutual influence on each other’s music.
• Evolution of Sound: The song represents a key point in Katatonia’s transition from their doom metal origins to a more refined, melancholic sound, showcasing their ability to evolve and experiment with different styles.

“The Drapery Falls” by Opeth

• Fan Favorite: “The Drapery Falls” is often cited by fans as one of Opeth’s best songs, praised for its balance of heavy and melodic elements and its emotive power.
• Music Video: The song has a music video that, while simple in its execution, effectively captures the mood and atmosphere of the track, further endearing it to fans.

And there you have it, metal aficionados! We’ve journeyed through the realms of underrated metal masterpieces, uncovering the stories and brilliance behind each track. Remember, there’s always more to explore in the vast universe of metal. Keep rocking, keep discovering, and most importantly, keep the spirit of metal alive!

Thanks for reading.

TBone