11 Underrated Genesis Songs: 11 Hidden Hits

Hey there, fellow music lovers and DJs! It’s your pal TBone here, from Level Tunes. Today, I’m diving into something that’s been on my mind for a while – the world of Genesis.

Now, we all know the hits that have rocked our speakers for decades, but what about those hidden gems, those underrated tracks that somehow slipped under the radar? That’s what I’m here to shine a light on.

I’ve handpicked 11 underrated Genesis songs that deserve a spot on your playlist.

Why?

Because they showcase the band’s incredible range and depth – from haunting melodies to groovy rhythms that never got the spotlight they deserved.

Whether you’re mixing tracks for your next DJ set or just looking for some quality tunes to enjoy, these songs are sure to add something special. So, let’s dive in and explore these underrated masterpieces together!

Here are the underrated Genesis Songs songs that you can check out:

List Of Underrated Genesis Songs Songs

Underrated Genesis Songs songs in a list format:

1. “Entangled” from “A Trick of the Tail” (1976, Charisma Records)

“Entangled,” crafted by Steve Hackett and Tony Banks, is a serene beauty from Genesis’ 1976 album “A Trick of the Tail.” This song is a perfect example of Genesis’ prowess in blending soothing melodies with profound lyrics. The harmonious blend of 12-string guitar and Mellotron creates a dreamy soundscape, further elevated by Phil Collins’ gentle vocals. It’s a departure from the band’s more dynamic hits, showcasing their versatility. I chose this track for its ability to transport the listener to a tranquil, introspective world, often overlooked in the Genesis discography.

2. “Cul-De-Sac” from “Duke” (1980, Charisma Records)

From the 1980 album “Duke,” “Cul-De-Sac” is a testament to Genesis’ ability to weave intricate narratives within their music. Authored by Phil Collins, Tony Banks, and Mike Rutherford, this track stands out for its dramatic shifts in dynamics and its storytelling prowess. The song’s theatrical approach, complete with Banks’ commanding keyboard work and Collins’ expressive vocals, makes it a hidden gem. “Cul-De-Sac” is my pick for its narrative depth and the way it encapsulates the band’s shift towards a more mainstream yet complex sound.

3. “Dodo/Lurker” from “Abacab” (1981, Charisma Records)

“Dodo/Lurker,” a standout track from the 1981 album “Abacab,” is an intriguing composition. It’s a creative blend of dark, atmospheric verses and a more upbeat, quirky chorus. The dual nature of this song, penned by Collins, Banks, and Rutherford, highlights Genesis’ knack for experimentation. The synthesizer work here is particularly noteworthy, adding a unique texture to the song. I included “Dodo/Lurker” for its boldness in exploring new sonic territories, a quality that often goes unrecognized in Genesis’ catalog.

4. “Blood on the Rooftops” from “Wind & Wuthering” (1977, Charisma Records)

“Blood on the Rooftops,” composed by Steve Hackett and Phil Collins, is a track from the 1977 album “Wind & Wuthering.” This song is a fine example of Genesis’ more introspective side, featuring Hackett’s exquisite classical guitar work and Collins’ reflective lyrics. The contrast between the gentle acoustic verses and the more robust, electric sections adds a captivating dynamic. I chose this song for its poetic lyricism and the emotional depth it brings, often overshadowed by the album’s more prominent tracks.

5. “Ripples” from “A Trick of the Tail” (1976, Charisma Records)

Another gem from “A Trick of the Tail,” “Ripples” is a collaborative masterpiece by Tony Banks and Mike Rutherford. This song is a stunning blend of melancholic melodies and poignant lyrics, reflecting on the passage of time and lost youth. Banks’ keyboard work is particularly evocative, creating a nostalgic and somber mood. “Ripples” is on this list for its emotional resonance and the way it showcases Genesis’ talent for crafting deeply affecting music.

6. “Mad Man Moon” from “A Trick of the Tail” (1976, Charisma Records)

“Mad Man Moon,” written by Tony Banks, is a lesser-known track from “A Trick of the Tail.” This song is an epic journey in itself, featuring intricate piano arrangements and a sweeping, cinematic feel. Collins’ vocals deliver the narrative with a sense of longing and introspection. I included “Mad Man Moon” for its ambitious composition and storytelling, a testament to Banks’ songwriting prowess and the band’s ability to create grand, yet intimate musical landscapes.

7. “One for the Vine” from “Wind & Wuthering” (1977, Charisma Records)

From “Wind & Wuthering,” “One for the Vine” is a Tony Banks creation that stands out for its epic narrative and progressive structure. This track unfolds like a musical odyssey, shifting through various moods and themes. The combination of Banks’ keyboard mastery and Collins’ dynamic vocal delivery makes this a compelling listen. I picked “One for the Vine” for its adventurous spirit and its representation of Genesis’ progressive rock roots.

8. “Wot Gorilla?” from “Wind & Wuthering” (1977, Charisma Records)

“Wot Gorilla?” is an instrumental track from “Wind & Wuthering,” showcasing the band’s instrumental talents. Composed by Phil Collins and Tony Banks, this song features energetic drumming from Collins and vibrant keyboard melodies from Banks. It’s a testament to Genesis’ ability to communicate powerfully without words. I chose “Wot Gorilla?” for its playful energy and as a nod to the band’s often-overlooked instrumental prowess.

9. “Inside and Out” from “Spot the Pigeon” EP (1977, Charisma Records)

“Inside and Out,” featured on the “Spot the Pigeon” EP, is a track that deserves more recognition. Written by Phil Collins, Tony Banks, and Mike Rutherford, this song combines heartfelt lyrics with a beautifully arranged melody. The blend of acoustic and electric elements creates a deeply moving piece. I included “Inside and Out” for its emotional depth and the way it highlights Genesis’ talent for balancing complexity with accessibility.

10. “Evidence of Autumn” from “Three Sides Live” (1982, Charisma Records)

“Evidence of Autumn,” originally a B-side and later included in the “Three Sides Live” album, is a Tony Banks composition that captures the reflective mood of autumn. The song’s melancholic keyboard lines and Collins’ emotive vocals create a poignant atmosphere. This track is a great example of Genesis’ ability to evoke strong emotions through their music. I chose “Evidence of Autumn” for its introspective beauty and the way it showcases the band’s softer side.

11. “Can-Utility and the Coastliners” from “Foxtrot” (1972, Charisma Records)

Last but not least, “Can-Utility and the Coastliners” from the 1972 album “Foxtrot” is a hidden masterpiece. Written primarily by Tony Banks, this track combines mythological themes with progressive rock elements. The song’s shifting dynamics and intricate instrumentation make it a standout track. I included “Can-Utility and the Coastliners” for its imaginative storytelling and the way it exemplifies Genesis’ early progressive era, a period often eclipsed by their later commercial success.

Fun Facts: Underrated Genesis Songs Songs

“Entangled” from “A Trick of the Tail”

• Collaborative Genesis: “Entangled” was a collaborative effort between Steve Hackett and Tony Banks. Hackett came up with the initial guitar piece, while Banks contributed with the dreamy keyboard sections and the song’s lyrics.
• Inspirational Setting: The song was inspired by Hackett’s experience in a sensory deprivation tank, reflecting the tranquil yet surreal sensation he felt.

“Cul-De-Sac” from “Duke”

• Dramatic Shifts: “Cul-De-Sac” showcases Genesis’ ability to shift between different musical themes within a single song, a characteristic approach in their transition period.
• Album Concept: “Duke” was initially intended to be a concept album. “Cul-De-Sac” contributes to this narrative, despite the band ultimately deciding against a fully conceptual album.

“Dodo/Lurker” from “Abacab”

• Experimentation: This track highlights Genesis’ shift towards more experimental sounds in the early 80s, moving away from their earlier progressive rock style.
• Unique Title: The title “Dodo/Lurker” doesn’t appear in the lyrics, making it an interesting example of the band’s creative naming conventions.

“Blood on the Rooftops” from “Wind & Wuthering”

• Hackett’s Highlight: This song is often cited as one of Steve Hackett’s favorite Genesis tracks, particularly because of its classical guitar intro.
• Social Commentary: The lyrics offer a satirical take on British television and society in the 1970s, showcasing the band’s ability to infuse social commentary into their music.

“Ripples” from “A Trick of the Tail”

• Lyrical Depth: “Ripples” delves into themes of aging and the ephemeral nature of beauty, making it one of Genesis’ more profound and introspective songs.
• Fan Favorite: Despite not being a hit single, “Ripples” has remained a fan favorite, often praised for its emotional resonance and melodic beauty.

“Mad Man Moon” from “A Trick of the Tail”

• Piano-Driven Composition: Tony Banks’ complex piano work is a highlight of “Mad Man Moon,” showcasing his classical influences and compositional skills.
• Rare Live Performances: This track was rarely performed live due to its complexity and the difficulty in replicating the intricate piano parts on stage.

“One for the Vine” from “Wind & Wuthering”

• Epic Length: At nearly ten minutes long, “One for the Vine” is one of Genesis’ longer tracks, embodying the epic storytelling aspect of progressive rock.
• Narrative Storytelling: The song tells a story of a reluctant leader, a theme that reflects Tony Banks’ interest in narrative songwriting.

“Wot Gorilla?” from “Wind & Wuthering”

• Instrumental Experimentation: As an instrumental piece, “Wot Gorilla?” highlights the band’s ability to communicate mood and story without lyrics.
• Jazz Fusion Influences: The track displays influences from jazz fusion, a genre that Phil Collins would explore more in his solo career.

“Inside and Out” from “Spot the Pigeon” EP

• EP Rarity: Being part of the “Spot the Pigeon” EP, “Inside and Out” is not as well-known as other Genesis tracks, giving it a sort of ‘hidden gem’ status among fans.
• Strong Emotional Connection: Fans often cite “Inside and Out” as one of the most emotionally resonant songs by Genesis, particularly for its poignant lyrics and melodic composition.

“Evidence of Autumn” from “Three Sides Live”

• B-Side Discovery: Originally released as a B-side, “Evidence of Autumn” gained more attention and appreciation when included in the “Three Sides Live” album.
• Seasonal Imagery: The song’s use of autumnal imagery is praised for evoking a strong sense of nostalgia and change, fitting the song’s reflective mood.

“Can-Utility and the Coastliners” from “Foxtrot”

• Mythological Inspiration: The song is inspired by the legend of King Canute, adding a layer of mythological depth to the album “Foxtrot.”
• Progressive Rock Complexity: This track is a great example of the band’s early progressive rock style, featuring complex time signatures and thematic development.

And there you have it, music aficionados and Genesis fans! We’ve journeyed through some of the band’s most underrated tracks, each a hidden gem in its own right. These songs are a testament to Genesis’ versatility and musical mastery. So, plug in those headphones, turn up the volume, and rediscover the magic of Genesis through these 11 spectacular tracks. Rock on!

Thanks for reading.

TBone