11 Underrated Fleetwood Mac Songs: Hidden Gems

Hey there, fellow music aficionados! It’s TBone here from Level Tunes, your go-to DJ and music enthusiast. Today, I’m super excited to share something special with you all – a list of 11 underrated Fleetwood Mac songs. As a DJ, I’ve always been fascinated by the way music can tell a story, evoke emotions, and create unforgettable moments.

Fleetwood Mac, with their enchanting melodies and profound lyrics, has always been a staple in my playlists.

But beyond their chart-toppers, there lies a treasure trove of lesser-known gems that deserve the spotlight. So, I decided to dive deep into their discography and handpick these tracks.

Whether you’re a die-hard fan or just getting to know Fleetwood Mac, these songs are sure to add some magic to your music collection. Let’s explore these hidden wonders together!

Here are the underrated Fleetwood Mac songs that you can check out:

List Of Underrated Fleetwood Mac Songs

Underrated Fleetwood Mac songs in a list format:

1. “Storms” – Tusk (1979, Warner Bros. Records)

“Storms,” penned by Stevie Nicks, is a hauntingly beautiful track from Fleetwood Mac’s experimental album “Tusk.” Released in 1979 under Warner Bros. Records, this song is a raw and emotional portrayal of vulnerability in love. Nicks’ voice, draped in melancholy, perfectly captures the essence of a turbulent relationship. The gentle, almost whisper-like delivery, combined with the soft instrumentation, creates a dreamy atmosphere. I chose this song for its ability to touch the soul deeply, showcasing a different, more introspective side of Fleetwood Mac.

2. “Beautiful Child” – Tusk (1979, Warner Bros. Records)

Another gem from “Tusk,” “Beautiful Child,” is a Stevie Nicks masterpiece. This song, released in 1979, is a poignant ballad that showcases Nicks’ ethereal vocals and heartfelt songwriting. The lyrics, filled with imagery of innocence and change, are both reflective and deeply moving. The song’s gentle melody and the band’s harmonious backing make it a standout track. I included “Beautiful Child” for its emotional depth and the way it showcases Nicks’ ability to weave a narrative that resonates with listeners on a personal level.

3. “Walk a Thin Line” – Tusk (1979, Warner Bros. Records)

“Walk a Thin Line,” written by Lindsey Buckingham, is a track from the “Tusk” album that often goes unnoticed. Released in 1979, this song is a testament to Buckingham’s songwriting prowess, featuring intricate guitar work and harmonious vocals. The song’s introspective lyrics and the haunting melody create a sense of introspection and contemplation. I chose this song for its understated complexity and the way it highlights Buckingham’s skill as a musician and a storyteller.

4. “Over My Head” – Fleetwood Mac (1975, Reprise Records)

“Over My Head,” from the self-titled album “Fleetwood Mac,” released in 1975 under Reprise Records, is a Christine McVie composition that deserves more recognition. This soft rock track, with its catchy melody and relatable lyrics about the ups and downs of love, showcases McVie’s talent as a songwriter. The song’s smooth rhythm and McVie’s soothing vocals make it a delightful listen. I included “Over My Head” for its classic Fleetwood Mac sound and its ability to capture the essence of 70s soft rock.

5. “Honey Hi” – Tusk (1979, Warner Bros. Records)

“Honey Hi,” another Christine McVie creation from the “Tusk” album, is a song that often gets overshadowed. Released in 1979, this track is a soothing, melodious piece that highlights McVie’s gentle vocal style. The song’s simple yet captivating melody, combined with heartfelt lyrics, creates a warm and comforting atmosphere. I chose “Honey Hi” for its serene vibe and the way it showcases McVie’s ability to craft songs that are both simple and deeply moving.

6. “That’s Alright” – Mirage (1982, Warner Bros. Records)

“That’s Alright,” from Fleetwood Mac’s 1982 album “Mirage,” is a Stevie Nicks song that harks back to her country roots. This track stands out for its distinct, upbeat rhythm and Nicks’ unique vocal style. The song’s optimistic lyrics and catchy melody make it a refreshing change from the band’s more well-known tracks. I included “That’s Alright” for its upbeat energy and the way it highlights a different side of Nicks’ musical personality.

7. “Wish You Were Here” – Mirage (1982, Warner Bros. Records)

“Wish You Were Here,” the closing track of the “Mirage” album, is a Christine McVie composition that often goes unnoticed. Released in 1982 under Warner Bros. Records, this song is a heartfelt ballad that speaks of longing and loss. McVie’s emotive vocals, combined with the song’s poignant lyrics and gentle melody, create a deeply touching experience. I chose this song for its emotional depth and the way it showcases McVie’s talent for writing songs that resonate with the heart.

8. “Emerald Eyes” – Mystery to Me (1973, Reprise Records)

“Emerald Eyes,” a track from the 1973 album “Mystery to Me,” is a Bob Welch composition that deserves more attention. This song, with its smooth melody and Welch’s soothing vocals, is a hidden gem in Fleetwood Mac’s discography. The track’s romantic lyrics and mellow vibe make it a perfect example of the band’s versatility. I included “Emerald Eyes” for its laid-back charm and the way it captures the essence of Fleetwood Mac’s early years.

9. “Did You Ever Love Me” – Penguin (1973, Reprise Records)

“Did You Ever Love Me,” from the 1973 album “Penguin,” is a collaborative piece by Christine McVie and Bob Welch. This track, with its blend of soft rock and a hint of Caribbean rhythm, stands out for its unique sound. The song’s questioning lyrics and catchy chorus make it an intriguing listen. I chose this song for its distinctive style and the way it showcases the collaborative spirit of Fleetwood Mac.

10. “Silver Girl” – Say You Will (2003, Reprise Records)

“Silver Girl,” from the 2003 album “Say You Will,” is a later Fleetwood Mac track written by Stevie Nicks. This song, with its reflective lyrics and Nicks’ powerful vocals, is a testament to the band’s enduring talent. The track’s modern sound, combined with the classic Fleetwood Mac vibe, makes it a must-listen. I included “Silver Girl” for its ability to bridge the old with the new, showcasing the band’s evolution over the years.

11. “Come a Little Bit Closer” – Heroes Are Hard to Find (1974, Reprise Records)

Lastly, “Come a Little Bit Closer,” from the 1974 album “Heroes Are Hard to Find,” is a Christine McVie song that often gets overlooked. This track, with its upbeat melody and McVie’s inviting vocals, is a delightful listen. The song’s cheerful vibe and catchy chorus make it a standout track in the band’s discography. I chose “Come a Little Bit Closer” for its feel-good energy and the way it exemplifies McVie’s ability to create uplifting and memorable music

Fun Facts: Underrated Fleetwood Mac Songs

“Storms” – Tusk (1979)

• Inspiration from Personal Life: “Storms” was inspired by Stevie Nicks’ tumultuous relationship with Lindsey Buckingham. The song’s emotional depth is a reflection of their complex and often challenging love story.
• Fan Favorite: Despite not being released as a single, “Storms” has become a fan favorite over the years, particularly among those who appreciate the more introspective side of Fleetwood Mac.

“Beautiful Child” – Tusk (1979)

• Nicks’ Vocal Range: This song showcases Stevie Nicks’ incredible vocal range, with her voice soaring from soft whispers to powerful, emotive highs.
• Timeless Appeal: “Beautiful Child” has been praised for its timeless lyrical content, resonating with audiences across generations for its themes of innocence and change.

“Walk a Thin Line” – Tusk (1979)

• Multi-Instrumental Talent: Lindsey Buckingham played almost every instrument on this track, showcasing his immense talent as a multi-instrumentalist.
• Unique Sound: The song features a unique blend of acoustic and electric elements, creating a sound that was quite distinct from the typical Fleetwood Mac style.

“Over My Head” – Fleetwood Mac (1975)

• Chart Success: “Over My Head” was one of the band’s first hits in the United States, helping to establish Fleetwood Mac as a major act in the American music scene.
• Radio Favorite: The song’s catchy melody and relatable lyrics made it a favorite on radio playlists, further boosting the band’s popularity.

“Honey Hi” – Tusk (1979)

• Harmonious Collaboration: “Honey Hi” features beautiful harmonies, with contributions from other band members, showcasing the collaborative spirit of Fleetwood Mac.
• Christine McVie’s Soft Touch: The song is a testament to Christine McVie’s ability to create soft, melodic tunes that contrast with the band’s more rock-oriented tracks.

“That’s Alright” – Mirage (1982)

• Nicks’ Country Roots: “That’s Alright” reflects Stevie Nicks’ country music influences, a style that she occasionally incorporated into her music.
• Reflective Lyrics: The song’s lyrics are reflective of Nicks’ personal experiences and relationships, adding a layer of authenticity to the track.

“Wish You Were Here” – Mirage (1982)

• Emotional Closure: As the closing track of the “Mirage” album, “Wish You Were Here” provides an emotional and poignant end to the record.
• Lyrical Depth: Christine McVie’s songwriting shines in this track, with lyrics that delve into themes of longing and the complexities of relationships.

“Emerald Eyes” – Mystery to Me (1973)

• Bob Welch’s Influence: “Emerald Eyes” highlights Bob Welch’s influence on the band during his tenure, showcasing a different style that contributed to the band’s evolving sound.
• Romantic Undertones: The song is often interpreted as a romantic ode, with its dreamy lyrics and soothing melody.

“Did You Ever Love Me” – Penguin (1973)

• Unique Blend of Styles: This track stands out for its blend of soft rock with a hint of Caribbean rhythm, showcasing the band’s versatility and willingness to experiment with different genres.
• Collaborative Effort: The song is a collaborative effort between Christine McVie and Bob Welch, highlighting the creative synergy within the band.

“Silver Girl” – Say You Will (2003)

• Modern Fleetwood Mac: “Silver Girl” represents the modern era of Fleetwood Mac, blending their classic sound with contemporary elements.
• Nicks’ Storytelling: The song is a testament to Stevie Nicks’ enduring talent as a songwriter and storyteller, even decades into her career.

“Come a Little Bit Closer” – Heroes Are Hard to Find (1974)

• Uplifting Energy: The song is known for its uplifting and cheerful energy, a contrast to some of the band’s more melancholic tracks.
• Showcasing McVie’s Versatility: “Come a Little Bit Closer” exemplifies Christine McVie’s ability to create a wide range of music, from ballads to upbeat, catchy tunes.

And there you have it, folks! A journey through the lesser-known but equally mesmerizing tracks of Fleetwood Mac. These songs, each with its unique charm and story, remind us why this band remains an iconic figure in music history. Keep exploring, keep listening, and let the magic of music take you away!

Thanks for reading.

TBone