17 Underrated Metallica Songs: Metallica Deep Cuts

Hey fellow music enthusiasts, it’s TBone from Level Tunes! As a DJ, I’ve spun countless tracks and dived deep into the treasures of music realms.

Lately, I’ve been jamming to Metallica and I realized there are some absolute gems that don’t get the limelight they truly deserve.

So, why not shine a light on those? Whether you’re a die-hard Metallica fan or just getting into their vast discography, this list of 17 underrated tracks is bound to surprise you.

My aim?

To give these masterpieces the credit they’re due and maybe, just maybe, introduce you to your next favorite jam. Rock on

Here are the best underrated Metallica songs that you can check out:

List Of Underrated Metallica Songs

Underrated Metallica songs in a list format:

The Call of Ktulu

From: Ride the Lightning (1984) Label: Megaforce Written by: Hetfield, Ulrich, Burton, Mustaine

Instrumental magic, “The Call of Ktulu” showcases the genius of late bassist Cliff Burton. This epic 8-minute track takes the listener on a journey through a haunting, melodic soundscape. While the album boasts tracks like “Fade to Black,” “Ktulu” remains a testament to the band’s instrumental prowess. Burton’s distinctive bass playing shines, making it a must-listen for every fan. It’s this seamless blend of melody and aggression that makes it a standout for me.

Escape

From: Ride the Lightning (1984) Label: Megaforce Written by: Hetfield, Ulrich, Hammett

Though James Hetfield himself wasn’t a big fan of “Escape,” it carries a distinctive catchy chorus that contrasts with its darker counterparts on the album. Its anthemic nature and more radio-friendly sound might have overshadowed its brilliance in the eyes of hardcore fans, but give it a chance! Its uplifting message amidst an album of heavier themes is refreshing. Kirk Hammett’s solo here is one to remember.

To Live Is to Die

From: …And Justice for All (1988) Label: Elektra Written by: Hetfield, Ulrich, Burton

Dedicated to Cliff Burton, “To Live Is to Die” features a segment penned by Burton himself. The instrumental section coupled with a poignant spoken-word piece evokes emotions. It’s less about headbanging, more about introspection. It reminds us of the depth and versatility of Metallica, straddling raw aggression and profound sadness. A true ode to a legend.

The Frayed Ends of Sanity

From: …And Justice for All (1988) Label: Elektra Written by: Hetfield, Ulrich, Hammett

Ever felt like you’re losing your mind? This track captures that feeling with its frenetic riffs and wild solos. It might be overshadowed by “One” or “Blackened,” but its chaotic energy and intricate musicianship make it a true underappreciated gem.

The God That Failed

From: Metallica (The Black Album) (1991) Label: Elektra Written by: Hetfield, Ulrich

James Hetfield’s personal exploration of his upbringing in Christian Science and its impact on his life, particularly his mother’s death. It’s deep, personal, and showcases Metallica’s capability to delve into profound topics while keeping the metal vibe alive.

My Friend of Misery

From: Metallica (The Black Album) (1991) Label: Elektra Written by: Hetfield, Ulrich, Newsted

Jason Newsted’s bass takes the lead in this track, setting a moody tone. The lyrics speak of someone who enjoys wallowing in sadness, which resonates with many. It’s another introspective gem from The Black Album that showcases Newsted’s often-underappreciated talent.

Bleeding Me

From: Load (1996) Label: Elektra Written by: Hetfield, Ulrich, Hammett

A lyrical deep dive into self-exploration and battles with personal demons. “Bleeding Me” offers more than just its face value. It transitions from slow, brooding sections to powerful, energetic riffs—a roller-coaster of emotions.

The House Jack Built

From: Load (1996) Label: Elektra Written by: Hetfield, Ulrich, Hammett

It has a bluesy feel, not typical for Metallica but a testament to their diverse skills. The lyrics explore themes of sedation and escape from reality, making it both intriguing and introspective.

Carpe Diem Baby

From: Reload (1997) Label: Elektra Written by: Hetfield, Ulrich, Hammett

“Seize the day, baby!” This track embodies the spirit of living in the moment. With groovy riffs and catchy lyrics, it showcases Metallica’s adaptability in evolving their sound.

Low Man’s Lyric

From: Reload (1997) Label: Elektra Written by: Hetfield, Ulrich

A rare acoustic track with a harmonica intro, it’s soulful and raw. Hetfield’s voice brings forth a vulnerability that resonates deeply, making it a standout in their vast repertoire.

Fixxxer

From: Reload (1997) Label: Elektra Written by: Hetfield, Ulrich, Hammett

A perfect closing track for “Reload,” its dark themes and versatile instrumentals, from Eastern-influenced tones to hard-hitting riffs, show off the band’s range.

No Leaf Clover

From: S&M (1999) Label: Elektra Written by: Hetfield, Ulrich

Symphonic Metallica? Yes, please! This collaboration with the San Francisco Symphony adds depth and grandeur. Hetfield’s lyrics about fate and chance hit hard amidst the orchestral backdrop.

St. Anger

From: St. Anger (2003) Label: Elektra Written by: Hetfield, Ulrich, Hammett, Rock

Raw and unfiltered, this title track encapsulates the struggles the band faced during its production. It’s aggressive and embodies the essence of anger.

Invisible Kid

From: St. Anger (2003) Label: Elektra Written by: Hetfield, Ulrich, Hammett, Rock

Delving into the themes of invisibility and inner childhood traumas, it’s a powerful track that many can relate to.

The Judas Kiss

From: Death Magnetic (2008) Label: Warner Bros. Written by: Hetfield, Ulrich, Hammett, Trujillo

With its catchy chorus and relentless riffs, it harks back to the band’s early days. It speaks of betrayal and deceit—a classic Metallica theme with a fresh twist.

Atlas, Rise!

From: Hardwired… to Self-Destruct (2016) Label: Blackened Written by: Hetfield, Ulrich

Drawing inspiration from Greek mythology, this track showcases Metallica’s unparalleled ability to intertwine literature and music. The fusion of classic Metallica riffs with new-age vibes makes it a standout.

Moth Into Flame

From: Hardwired… to Self-Destruct (2016) Label: Blackened Written by: Hetfield, Ulrich

Touching upon the pitfalls of fame and addiction, its energetic riffs and memorable lyrics cement its place as a modern-day Metallica classic.

Fun Facts: Underrated Metallica Songs

The Call of Ktulu

• The song title references H.P. Lovecraft’s cosmic entity, Cthulhu. Metallica has often been inspired by Lovecraft’s works, and this instrumental is a nod to that interest.
• The track is one of the few Metallica songs to have a writing credit from Dave Mustaine, Metallica’s original lead guitarist before he founded Megadeth.

Escape

• Originally, Metallica did not want to include “Escape” on “Ride the Lightning”. They wrote it under pressure to create a more radio-friendly single.
• It wasn’t played live until the 2012 Orion Music Festival, where Metallica performed the entire “Ride the Lightning” album.

To Live Is to Die

• This is the longest song on “…And Justice for All” and the third-longest Metallica song overall.
• The spoken verse in the middle of the song is actually a quote by German philosopher Friedrich Nietzsche.

The God That Failed

• James Hetfield’s lyrical inspiration comes from the passing of his mother, who was a follower of Christian Science and refrained from medical treatment for cancer.
• It’s one of the few Metallica tracks where the bass is prominently heard, especially after the controversial mix of “…And Justice for All.”

My Friend of Misery

• This song was initially conceived as an instrumental. That’s why the bass plays such a dominant role in the melody.
• Jason Newsted, the bassist at the time, gets a rare songwriting credit on this one.

Bleeding Me

• The song’s length and intricate arrangement make it a standout track on “Load”, showcasing a more mature side of Metallica’s songwriting.
• It was performed with the San Francisco Symphony both in the original “S&M” concert in 1999 and its follow-up “S&M2” in 2019.

No Leaf Clover

• “No Leaf Clover” was one of the two original songs written for the “S&M” project with the San Francisco Symphony. The other was “− Human”.
• It’s one of the few post-80s Metallica songs that charted, reaching number 74 on the Billboard Hot 100.

St. Anger

• The entire “St. Anger” album was recorded without any guitar solos, a significant departure for the band.
• The snare drum sound on this track (and the entire album) is highly debated among fans and musicians. Lars Ulrich used a specific snare setting that gave it a distinctive “ping” sound.

The Judas Kiss

• The title “The Judas Kiss” is a reference to the Biblical story of Judas Iscariot betraying Jesus with a kiss.
• During the making of “Death Magnetic”, a clip of the band working on this track was one of the first teasers released, building anticipation for the album.

Atlas, Rise!

• Many fans and critics noticed that parts of “Atlas, Rise!” pay homage to Iron Maiden, one of Metallica’s early influences.
• The song’s title and theme can be related to the Greek Titan Atlas, who was condemned to hold up the sky for eternity.

Rocking through Metallica’s deep cuts has been an exhilarating ride! Their vast discography offers more than just chart-toppers.

Dive deeper, and who knows what treasures you’ll unearth. Until next time, keep those horns raised!

Thanks for reading.

TBone